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  1. https://www.speakershack.co.uk/articleResult.php?subject=2&record=2439
  2. CES 2017 Meitner MA-1 V2 and EMM Labs DAC2X V2 Announcements Using technology developed in their flagship DA2 DAC, EMM Labs and Meitner Audio has once again updated both their multi-award winning DACs the Meitner Audio MA-1 DAC and EMM Labs DAC2X. In addition to being the perfect companion of their TSDX CD/SACD Transport, the updates provide a huge improvement in transparency, accuracy and overall sound quality. The new V2 unit updates consist of: MDAC™ in both platforms are now fully discrete DSD512/8xDSD D/A converters completely built in-house at EMM Labs' manufacturing facility in Canada Their multi-award winning MDAT2™ DSP has also been refined and updated to synergistically work with the new 8xDSD MDAC™. The new MDAT2™ DSP does real-time transient detection, processing and up-conversion of all incoming audio, PCM and DSD, before sending it to the new MDAC™ The DSD audio signal path has been re-designed allowing for further enhancements in transparency during the DSD to Analog conversion process Proprietary hardware galvanic isolation for the USB Audio interface Supports sampling rates of 44.1, 48, 88.2, 96, 176.4 and 192kHz at word lengths up to 24 bits through all 6 digital inputs, Support for DSD128/2xDSD and DXD streaming via USB Audio Support for DSD (DoP) streaming via TOSLINK, SPDIF and AES No configuration necessary, just plug and play. Every other digital system from its proprietary jitter removal MFAST™ to its super accurate clock, MCLK™ has also been carefully revised as well for better sound. The V2 version pricing: Meitner MA-1 MSRP is $7,000 US EMM Labs DAC2X MSRP is $15,500 US Please note the V2 units performance are immediately noticeable and not subtle. So it’s quite a big jump in performance from the standard MA-1 and DAC2X to the V2 version. They are also offering an upgrade package for customers with older MA-1s and DAC2Xs to upgrade their units to V2. MSRP is: $1,750 US Note - Most units purchased in 2016 would already have newer hardware and you can just update the unit with the finalized firmware to make it V2. If you're not sure if your DAC already has the newer hardware, contact your EMM/Meitner dealer with the serial number.
  3. Sound Liaison has released a handy sampler to test your DAC's preference. http://www.soundliaison.com/all-categories/6-compare-formats Test your DAC! Format Comparison sampler Which format is best for your DAC? Every DAC has it's own character, some sounds better using PCM files and some sounds better using DSD files...... Some people find the convenience of FLAC files more important. Here on this page is a list containing 2 minutes of a song in 11 different formats. The song is called 'A Fool For You' and is performed by Carmen Gomes Inc. It’s taken from the album 'Carmen Sings The Blues'. http://www.soundliaison.com/studio-showcase-series/276-carmen-gomes-sings-the-blues All the different formats have the same source file, DXD 352kHz (Studio Master). We used the AUL ConverteR 48x44 for the conversion to DSD and Wavelab for the conversion to the other PCM formats and FLAC. When you compare different sample rates always start with the lowest resolution. During listening don't focus too much, hearing is as individual as taste but hearing is also something which can be acquired, like the taste of good wine. You can choose from the following formats: 1. DXD 352kHz 2. PCM 192kHz 3. PCM 176kHz 4. PCM 96kHz 5. PCM 44kHz 6. DSD 256 7. DSD 128 8. DSD 64 9 . FLAC 352kHz 10. FLAC 192kHz 11. FLAC 96kHz
  4. Hi Guys, Up for sale is my Syrah Server from Playback Design, Optimised for Audio through Hardware and software. Built upon the Jriver Platform and remote control is free to download from Apple or Android App Store. Sounds Excellent, Universal Voltage. Purchased from an Authorised Distributor. Retails: 6500.00 US. My Original Receipt Price is: $5970.00 Us dollars. Purchased in June 2017 Asking Price is 3500.00 US dollars. + Shipping.. Price is negotiable for serious buyers with reasonable offers. Can Ship World Wide via Fedex. Paypal Is accepted or Bank Wire to a US Account. If your using paypal a 4% Charge is required for fees, Otherwise a friends and family method is fine by me. Can be shipped in its Original Wood Crate Package or to save cost i can get a customised Cardboard box one made (of course strong enough for international shipping) Comes with 2 TB hard drive. I can load this up with DSD and PCM before shipping out. Buy with confidence, my proven track sales on computer audiophile speaks for it self.
  5. I am a little confused by the positioning of the new M12 Source Controller from Bricasti. I do not own a Bricasti, but was about to pull the trigger on one to replace my current DAC when I learned of the new M12 – which left me a little confused and believing that Bricasti’s best DAC is now not actually their DAC, but rather their new “source controller.” The new M12 would seem to be far superior for D-to-A conversion for DSD files and also features some new tech in the form of a network adapter to use the device as a streamer (something I presume will ultimately trickle down to the M1 – hopefully with support for the same range of file resolutions offered in their USB interface). I saw a video with Bricasti’s president (Brian) saying they created the M12 to meet a need in the market, specifically, the person who enjoys both analog and digital and wants a minimum number of discrete components. Hence, with the M12, no separate pre-amp needed. Certainly understandable, I imagine there is a real need for this in the marketplace. HOWEVER, in my view this leaves behind the person who chooses to operate a multi-component system as the M12 would not appear to be a reasonable choice to use strictly as a DAC. In my case, I have a sophisticated high-end tube preamp which I want to continue to use as my source and volume control. It appears there is no “line level/unity” out on the M12 which would be suitable for connecting to an input source on my pre-amp. This doesn’t really make sense to me from a product positioning perspective. A company offering a stand-alone DAC should reserve their best DAC technology for that unit and offer similar or lesser capabilities in their all-in-one integrated products. After all, is not the buyer for separates likely to be the most demanding of functionality? Buyers for integrated units are willing to trade a little bit of capability for convenience. I am interested in thoughts or opinions. Am I missing something? Are there others thinking about using the M12 with a pre-amp? Or pre-amp users who don’t care about the missing higher quality DSD and Ethernet connectivity?
  6. Hello. I'm selling my XEO 3s (white, up on eBay now!) and getting the XEO 20s. I think! I started down the path of exploring a direct USB connection to the XEOs, but not necessarily wanting or needing the Dynaudio Connect box. Then I came across a review of the KEF LS50 wireless, where an external DAC was used, I think via the analog outs. It sounded like using an analog out would be odd with the XEOs, as a digital signal stays digital until the driver, and an analog signal is converted to digital by the XEOs. So with analog DAC out, the digital signal would be converted 2x, if I understand correctly. Any thoughts on the following setups— With DAC 1. iPhone + ALAC files > Apple CCK > USB cable > External DAC > Toslink from DAC to XEO 20 master. 2. iPhone + ALAC files > Apple CCK > USB cable > External DAC > Analog out from DAC to XEO 20 master. No DAC 3. iPhone + ALAC files > Apple Lightning Dock > Toslink to XEO 20s (I think Apple's Lightning Dock bypasses the iPhone DAC when using Toslink and sends a pure signal.) On my setup, I'm thinking of using my iPhone 7 (gasp!) for the source. Don't really want to deal with a headless Mac mini (+ controlling Apple Music would be a pain). I was looking at the Aries Mini, as you can add storage, but it's sold out. Bluesound Node 2 doesn't work with Apple Music. Sources are ALAC and Apple Music for the mist part. Maybe Tidal at some point. So as much as it may offend, I like the idea of a iPhone or iPad as source. Thoughts?
  7. Hello, I just added a new McIntosh d1100 to my system. Generally speaking, it works great, but there are a few quirky things that I was hoping I could get some help with. My setup: Roon core runs on a dedicated Ubuntu Linux VM. I have Roon endpoint on a few Macbook’s, my iPad and my iPhone. I have a Raspberry Pi 2b with the latest build of dietpi on it, and Roon Bridge installed. I then utilize the USB to connect to the McIntosh d1100. Everything is running the latest builds of Roon. DSD over PCM (DoP) is my DSD strategy. Raspberry Pi and Roon Core is hard wired 1Gbps Ethernet My issues: Pretty much in summary the "fade-in" issue described in part 1 of the d1100 review posted here at computer audiophile Whenever I play an album, there is this weird thing where I miss the first bit of the first track. How much I miss seems to depend on source. For 16/44 CD quality, it is the first fraction of a second. For DSD it could be 2-3 seconds. In Roon, you can see the file playing the first few seconds, but the DAC does not lock and start outputting sound until between about 0.5s to 3s later, depending on source.For example, when playing The Beatles Please Please Me album, starting with “I saw her standing there”, you don’t hear the first part of Paul’s count in. When kicking off “A Hard Day’s Night”, you miss the first part of that epic first chord. This seems to happen regardless of what the source is (PCM, DSD, Various sample rates) and on every album There is an intermittent issue with losing lock between tracks of an album. What happens is that at the end of one track of the album, typically during silence or low output parts during the last 3-5 seconds of the track, the DAC loses lock. Roon will still show the track playing. Then, Roon will move to the next track, the DAC regains lock and away it goes. It’s like a little “blip”. Sometimes, I end up missing just the first split second of the next track. This doesn’t happen between ALL tracks, or even between the same two tracks consistently. The issue seems to happen more frequently with DSD or high resolution PCM. Sometimes, other than missing the first second or so of the first track, the album plays fine, with the DAC consistently keeping lock track to track. Other times, the DAC continually loses lock when one track ends, and locks back on for the start of the next track. Other times, it will lose lock after one track, then lock on for the next track, but I miss the first half second or so of the next track. This happens, but not all the time, and not between every track on an album. Very inconsistent. I have tried playing with difference resync timer values, anywhere from 0.1s to 1s to 2s to even 5s just to see what would happen, as well as trying 250ms buffer to no avail. I also tried plugging my MacBook Air running Roon endpoint directly into the DAC, and experience the same problems. I think what I am hitting is a result of how McIntosh implemented the firmware on their d1100. McIntosh’ solution will likely be “use JRiver”, as they have a setting to add 2 seconds of silence between tracks that seemingly fixes this. I don’t want to use JRiver though… Anything I can do or any ideas other than pray for future firmware that addresses this? It sounds GREAT, but losing the first few seconds of every album and the inconsistent inter-track behavior is really taking away from the album experience. Thank You
  8. Holo Cyan - DAC+Headamp impressions With the new Holo combined DAC/headamp now formally announced and pre-orders being taken, first deliveries are expected in a few weeks. So time to start a separate impressions thread just for this product. This is for impressions not for discussing the benefits of DSD ! This is essentially a new version of the Holo Spring designed for headphone users - something I have been waiting for. I don't own a Holo or have any association with them but have been aware of them through very positive user reviews. The Spring contains 2 ladder DACS - one for PCM input and one for DSD. With theCyan, the first model being released contains 1 ladder DAC and 1 headphone amp instead. Essentials This first model contains only the PCM R2R ladder DAC - this will play your normal redbook and much higher resolution files and it will convert DSD files (up to DSD 256) to PCM files for playback - as many (most?) DACS claiming to be DSD capable do. The Spring and a minority of other DACs do native DSD (better for the purists and I do have one of those other non-holo ones) and there is a later version of the Cyan coming out for this. • Inputs are : -USB (isolated from ground) -Coaxial (RCA) -Coaxial (BNC) -AES -Optical I2S the HDMI interface (DSD256) USA and IS2 support DSD DOP mode DSD256 andall other digital inputs support DSD DOP mode to DSD64) • Outputs are: Fully balanced XLR and RCA output, and balanced headphone output using 4 pin xlr Full size 1/4 inch single ended headphone output Other points of note: • The clock is a still a femto one but not quite the same as in the Spring, whilst the USB input has apparently been upgraded compared to the USB input on the Spring. • Offers oversampling and non oversampling modes • The case is smaller than the Spring being 281 * 260 * 55mm or 11* 10 * 2 inches • The new fully balanced headphone circuit • Ability to select either low impedance or high impedance for the headphones and to change this easlily • The remote control functions include volume as well as switching between low & high gain to satisfy users of IEM's through to tougher to drive full size audiophile headphones. • Jeff the lead designer has commented that unlike other integrated units where the headamp has been poorly regarded he wanted to build a decent headamp inside. • Price - ~20% cheaper than the Spring but to be confirmed on a country by country basis . Kitsune will no doubt update for the USA and others for Europe and elsewhere
  9. Impending house move means downsizing and rationalisation of Hifi and AV gear. Sadly for me this means I have a few items to dispose of as 2 systems are merging into one. So up for reluctant sale is my exasound e28 mk2 multichannel dac. Had it since new. The serial no is 417 and it’s v1.5 it has mini xlr outputs on the rear and included are 6 mini xlr to phono cables along with a supra usb cable. All have given excellent reliable service and effortlessly handled everything thrown at it. I'm sure those looking for a multichannel DAC will know all about them already. So looking for around £2500, but will consider reasonably close offers. The DAC is in Scotland and so p&p will be at cost to wherever it goes, insurance can be added in as well also at cost. A new e38 currently retails for $3849 usd according to the web site.
  10. I have just read a positive review in July number of Italian magazine AudioReview about this new little DAC from Project http://www.box-designs.com/main.php?prod=preboxs2digital&cat=s2-line&lang=en A very reasonable entry level price for experimenting with MQA, but apparently not at all entry level performance. Main specs from Pro-Ject infosheet: • Dual mono construction • High end ESS Sabre ESS9038 dual DAC • Proprietary clock circuity design • Organic polymer capacitors and thin film miniMELF resistors • MQA hardware decoding • DSD64, DSD128, DSD256 & DSD512 (DSD over PCM) • Up to 24bit/192kHz for optical & coax inputs • 7 selectable digital filter characteristics • 1 proprietary optimum transient digital filter • Headphone output on the front (6.3mm) • Synchronization of all internal oscillators • Jitter as low as 100 Femtoseconds! • Gold plated four layer PCB • Full alu/metal sandwich casing in silver or black SRP: € 349,00
  11. A bit of reflection between the Ares vs Pontus: Comparing the Ares to Pontus On "OS" mode. Before I go any further, let me just say that my observations about these two pieces is just that; an observation between the two Denafrips. The Ares compared to other DAC that I have heard and owned, is fantastic DAC to own for that price. If one contemplating climb up the Denafrips ladder,great. One may choose to keep the Ares and use it in a second system. But, if one chooses to stay with the Ares ,you are still head of the curve from what's readily available out there. The Ares in its own right is a great DAC for the price. I sold my Schiit Bifrost 4490 after I heard the first notes from the Ares. Now , Ares vs Pontus ( OS )mode, Assuming that the Ares only operates in OS mode. I'm using USB. Pontus is a tad bit under double of what the the Ares can deliver ( meaning: I felt that was getting about 150-60% of the Ares can dish out) On clarity , intelligibility; with the Pontus there is more micro dynamics, more transient, a bit larger stage and more headroom and a better sense of size and scale. The Pontus sonic character is cleaner, livelier, more presence and emotions. Instruments separation is better and the Pontus is a bit more natural . Again, with the Pontus as good as the Ares is, I find myself thinking that as much as I love what I was hearing from the Ares, I found that the Pontus is much more easier to listen to, it's much more easier to follow the music. It's easier to get drifted deeper and deeper into the music , that speaks volumes for the Pontus . Now my question is maybe I should have listened to Alvin and got me the Venus or the Terminator..? We don't know what the future holds, but for now, I am extremely happy to have the Pontus in my house till or if I decide to go up the chain ( Terminator ) I have said before : the terminator must be something very very special if the Ares and Pontus can sound so freaking good. I don't how you guys do it , but, well done Denafrips people , we've been waiting, and you guys have delivered. Next time , Pontus: OS vs NOS
  12. Hello...this is my first question ever. I just purchased a Mytek Brooklyn DAC+. i have ONLY connected it via USB through the laptop to the dac and played tidal and listened to MQA. Now for the queston...can someone please explain the other connects on the back? what is the wick in wick out? what would i connect via a 75 ohm coaxel cable? and where would i inout the coaxil into my AV receiver..i have the marantz sr7010. Im very confused and i think i spent a lot for not being able to utilize it the way i know its capable of. And also maybe someone could explain the xlr connects....and if you answer, please be prepared to carry on a dialogue for a few days while i work this out. I'm very frustrated and i would appreciate HELP!!!!! Thanks In advance...Stickyfi PS...Im very curious as to what wick in wick out means
  13. Bricasti M1 > M5 > M12: Network Player - Member REVIEW w/OEM Response from Brian Zolner President/Owner Bricasti below s Hey Guys - I have been going back and forth between what to go with for a Ethernet Network Media Player - either Innuos, SOtM, Sonore, Uptone, Bricasti M1 Network Player or M5, etc. I have a thread dedicated to working toward this decision and got some fantastic help from many CA members. I learned so much and in such a short time. This forum is Fantastic - so many people are so helpful and I appreciate it very much. I am including the link below to anyone interested in that very educational journey. Great stuff if you are interested in Innuos, SOtM, Sonore, Uptone, Bricasti Network Player or M5 I purchased a bunch of these product to try and learn for myself to be sure. I did not want to question my decision with any what if's and wanted the best sounding option for me and my system. I ended up going with the Network Player Option installed in my Bricasti M1SE DAC and I wrote this feedback to one of the best people in all of Hi-End Audio, Brian Zolner President/Owner/Designer Bricasti Design. His digital and analogue products sound absolutely fantastic and the build quality is second to none and the support is as good as it is anywhere. All made by hand right here in good old Massachusetts, USA. I asked Brian if it would be OK if I share my thoughts with the super helpful crew - the CA members that were so important in helping me get to this decision. He said no problem I also asked if he wanted to respond and comment and he provided some great insight below my feedback on his thoughts on the M1, M12, M5 network players and USB audio. I am glad to be able to share this with you guys. I will send Brian this link and I am sure if any of you have any questions or feedback or thought that would be fantastic. We will get you all the info you need. This is some seriously good sounding gear and its a lot less money than the Aurender and Lumin and it blows their doors off! Also, I would love some idea's and feedback and any idea's really now that I am all in with Ethernet audio what is my next step? One member told me to buy The Linear Solution OCXO Audiophile Switch. (link at bottom of the page). This is supposed to provide a great bump in SQ and it is $679 and comes with a dedicated purpose built Linear Power Supply. Please share you thoughts on this or any other upgrade that can help me get the most out of my Bricasti M1SE Ethernet Network Media Player. Subject: Re: Feedback Send to Brian Zolner and Joe at Bricasti Hey Brian and Joe, I wanted to reach out and thank you both for the very kind and outstanding service installing the Bricasti M1SE Ethernet Network Player option in my M1SE DAC. Guys, it is absolutely fantastic! It needed about 40 to 60 hours of burn-in to get to where it was going and honestly the upgrade over that time was substantial. I get that some people don't believe in burn-in and others like me clearly hear it but I am just telling you guys this Bricasti M1SE Ethernet Network Player option is absolutely fantastic. At first I was strongly considering the M5 just because I already own all of the premium - supporting USB Gear and thought it might be great and I am sure it is but honestly guys in all fairness I didn't think the Bricasti M1SE Ethernet Network Player option would end up being this good? Man is it good! I thought it would be good and/or even great but it surpassed even those expectations and that's not an easy thing to do. I am looking for an awful lot out of my gar and I had some premium gear it needed to stand up against. I can speak from first hand experience about this Network Player option and how it compared to all the similar other gear listed below. All my thoughts are in comparison to the gear listed below. I was able to do a/b verse some really good Ethernet / USB options that are some of the hottest, best selling products going and I assumed from an a/b it would be close and/or maybe I couldn't even tell the difference but this is where my non-audiophile wifey serves as a sort of blind test. Yes her ear has evolved but she is not an audiophile. What the Bricasti Network Player option does that is so much better than everything else is actually something you never even knew was missing until you hear it and then remove it. It jumps off the page during A/B's. Sometimes A/B's can be tough but here it stands out as clear as day it was simple. To test myself I asked my wifey for her help and what she thinks. I set up the Sonore/Uptone Combo and then the SOtM/Uptone power supply combo and the Bricasti Network Player and mixed them up and she picked it out each time. She actually picked out the SOtM over Sonore also so maybe her ear is getting better than I think but she heard it and picked it out clearly and simply so that reinforced what I already knew but wanted to check it. Bricasti Network Player is so much more direct and decisive. It's immediacy and directness just can't be missed. I was like "yes, yes, oh man yes"! "Thats what I am talking about" and you know what - those are far and few between these days so when it happens you REALLY appreciate it. Thank you It not like it is a little warmer and a little clearer or it widens or deepens the stage or something like that which by the way it does all these things but that's not my point. It is immediate, decisive and startlingly quick. Its got jump and you are just much closer to the event. It was a combo of heightened transparency with just layers removed and more information magnified and exposed in all its greatness. Also, I want to make sure to note that I am not talking about being more upfront either because it offered a deeper stage and the voices are actually pushed further back which normally I don't prefer. I actually like that dynamic and sort of upfront sound as a rule but that is not what this is. This does it totally different! It does it the only fashioned way. It earns it. This is no designers voicing choice, this is simply a much more robust and substantial component. It performs at a much higher level and it is shows on so many levels. Vastly better separation and delineation in that more direct package. The stage opens and the walls expand and out comes a richer and more layered and more natural presentation. Man that separation is just fantastic! I just can't get over that open space it puts around everything and the air and the extension go on and on. It's just that every item is so sharp and precise and magnified in 3D space. Everything is tighter and wider and deeper and it all just holds together so well and is so confident and that heightened image precision is such an enjoyable effect. I don't want to touch anything - this the best sound I've ever had and I'm ecstatic! Better than analogue IMO. I am sure there are some uber turntables that will out do it but pound for pound I doubt it IMO. I was impressed at this much closer to the event effect. It's kind of hard to articulate but I think this might shed a little more light. Sort of that same effect you get when you have a great DAC or CD player and then you remove the preamp. The only thing with removing a great preamp is you gain that great immediate directness but then lose all that greatness that a great preamps provides but that increased directness is such a desirable effect so many people do it. I did it but then you get a great preamp and you say man I love the directness but I am giving up so much to get it. Some big time trade off's and many go back and forth. I know I did for a while. So this new Network Player upgrade was like keeping your amazing preamp and all the great benefits the pre provides while still getting that great directness a preless set up gives you. Best of both worlds! How often do you get to have your cake and eat it too? Well that is what happened here IMO with this so I think you can see why I am so happy about it and hope this does a little better job of explaining the main effect of this Ethernet Network Player option I added to my system. This preless type directness while keeping all the greatness of a preamp is worth the price of admission all by itself but there is more. All that directness has a great effect on the bass which is tighter, cleaner and more nuanced with much better separation. There isn't any more slam or power. It is not rounder or warmer which some may prefer but it is different. It is more nimble and lighter on its toes with more precision and definition. I don't think its any less powerful but it's different sort of like my Magico speakers are. People think or feel with Magico's sealed Aluminum cabinets there is less bass when in actuality there isn't any less but it is faster and more defined but some interrupt this as less bass but I don't agree but also each to their own. I find it to be a nice improvement and upgrade but I can see someone that likes to listen to a lot pop or rap music they may refer a thicker or rounder sound but everyone else will love this IMO. I will take quality and precision over quantity every time but that's just me and everyone is different. I want take a moment to thank you and your company again for your approach to supporting the folks that purchase your gear. Premium Hi-End Audiophile gear is quite expensive and so many of the top Hi-Fi companies come out with a new model every few years and that kills us. We need to sell our old one to get the new one and that makes expensive gear insanely expensive to own. Many people like me want the most recent and best gear they can afford. You guys make this possible and care more about your customers than any of the other OEM's and we appreciate it very much! You guys are totally different from the Vast Majority of high ends OEM's. Also, this feedback was not made in a vacuum. Here are the items I had in my system that I did an A/B with that allowed me great insight into how your Ethernet Network Player option worked verse the others. Some of these I only owned a for a short while because I knew there was no contest. Most have either been sold or are in process of being sold on Audiogon because your Network Player made them obsolete. I am keeping the JS-2 and P10 for my new system set up. Tellurium Q Black Diamond USB Cable Curious Regenlink USB Cables (2) Uptone Audio USPCB Connectors Uptown Audio ISO Regen USB Uptown Audio LPS-1 UltraCap Power Supply Uptown Audio LPS-1 UltraCap Power Supply Breeze Audio 12v Linear Power Supplies Breeze Audio 12v Linear Power Supplies Uptown Audio Amber Regen USB Uptown Audio JS-2 Linear Power Supply Sonore mircoRendu 2.5 Ethernet / USB Player Ghent customer DC power Cables PS Audio P10 Regenerator SOtM tX-USBultra w/50 ohm connector SOtM sms-200 Ultra w/50 ohm connector I honestly thought in my heart of hearts USB might be the way to go just because it has come so far in not that long of a time. Sonore, SOtM and Uptone Audio in my opinion changed the world in regards to the USB landscape and in a huge way. There are a few others as well. They brought, real world price upgrades to USB that made semi-inexpensive gear better than super expensive legacy products from just a few years back (CD and SACD Players) and this changed the game. Now it appears you have changed the game on the Ethernet side. I call tell anyone out there that doesn't own a Bricasti M1 is to buy the M5. I am not sure how the M5 sounds because I have not heard it but if it sounds anything like the M1 Ethernet Network Player then there is nothing that can touch it. Great job and thank you guys. With your permission I would like to share this personal email on my forum post and if you are ok with it any of your responses as well. People are waiting to hear my thoughts so I thought I could email you and inform them at the same time. Thanks Frank Fsmithjack Subject: Re: Response / Feedback from Brian Zolner Bricasti President/Owner/Designer to Frank Smith / Fsmithjack Frank, Thanks for all that commentary, and well guess only thing I can say or add is once we got the LAN working in the M12, and then the M1 ( it’s the same streamer used in all products) I never went back to USB, clearly better even just connecting with 50’ cat5 from my server to the M1. We do all shows with the LAN and try to convince users this is the way. I feel that regardless of the cables and power supplies and clockers etc for USB that seem to make some differences, one might say they create differences and subjective to if its better or not, but I feel USB is fundamentally flawed and when the player or renderer is installed directly in the M1 it eliminates all the issues of USB, it removes it from the computer, and places it in the M1. We made our own player, running on a linux core on an ARM processor, runs off the linear supply in the M1 too. so no extra processors running as with a PC where the computer is doing all kinds of other co processing, switch mode power regulation on the PC mother board etc. But in the end of all that stuff, this approach eliminates it. For the sound of USB, People are fooled by things and as you point out someone might like the effect of the USB, but I think what we get with the streamer is true sound reproduction with no jitter and noise added to make the sound dance a bit, I hear it clearly on my Tidals, and our M28s, no loss of bass at all for me, but tight clear and excellent extension, no bloating. The M5 was made so that a user could run off the network or PC without using USB, I feel the AES is the best as removes these issues. But installed in the M1 or M12 is the best, direct I2S to the DSP and then to the DAC. The M5 with AES is darn close to what you have, I have done a lot of listening and that was the idea of that product to offer great playback and no USB for anyone and any DAC. Enjoy it, I know it changed my life, my server PC is in another part of the house and I run it all from Jremote, there is just no other way to play, besides the sound there is the convenience factor and I play tracks from my phone or stream from it to the M1, or the server, or the NAS or any PC in my home, all the computer stuff goes in another room away from the listening room. It’s a network and that is what starts becoming interesting and you don’t get that with USB or any other point to point interface. Go ahead and share the story, its what we hope others will find out too. Brian Subject: Re: Response / Feedback from Joe at Bricasti to Frank Smith / Fsmithjack Hi Frank, thank you for great write-up! Enjoy your M1, if you ever need anything just let me know. Thank you again, joe http://www.bricasti.com/en/consumer/m1se.php http://thelinearsolution.com/ocxo_switch.html
  14. I've just bumped into this analysis software developer website which has published measurements of a few DACs: https://reference-audio-analyzer.pro/en/index.php
  15. If you don't know Audio Note, they make some of the most engaging (and mlst expensive) audio equipment in the world. Their entry level DAC, the 0.1x is no exception. This no frills NOS DAC has USB and coax SPDIF inputs. It does does away with modern trends and keeps it simple with a Philips TDA1543 chipset, keeping it to 16/44 processing. No oversampling, no filtering, and is the most musical piece of digital equipment I have ever owned. Audio Note's approach allows you to forget everything you've ever known about digital and get lost in your collection. The body, timbre, soundstage, and simply musical nature of this DAC is not only unheard of at this price, but a very rare occurrence in digital. This DAC is £1400 new, asking £700. Excellent condition in original box, will ship free within Mainland UK. Audio Note's own description below: The first and only digital to analogue converter in the Audio Note (UK) range to offer both coaxial 75 Ohm SPDif and also USB input, selectable via a fascia mounted button. Internally, it is pure Audio Note, featuring a Philips TDA1543 DAC chip, our 1x oversampling Direct from Disc technology and no digital filters. The analogue valve output stage utilizes a 6111WA miniature dual triode, Beyschlag precision resistors and our own Audio Note (UK) Tin Foil capacitors. Available with brushed aluminium or classic black acrylic facia."
  16. Check it out here: https://www.kickstarter.com/projects/1844799967/applepi-dac-highest-performance-raspberry-pi-dac Reviews: The Audio Beatnik "Ok, specs are great and all, but how did it really sound? Frankly, very good, surprisingly good." and "The mid-range and truthiness of the music rivaled that of the other DACs I have on hand that cost significantly more." Read the full review at this link: http://theaudiobeatnik.com/applepi-dac-review-theres-art-in-this-dac-and-it-shows/ Volumio's Founder -- Michelangelo "Sound-stage and spatial resolution are just excellent." and "This DAC is producing the most detailed sound to ever come out of my Raspberry PI, all the subtle nuances of my test tracks were there and clearly distinguished from everything else." Read the full review at this link: https://volumio.org/forum/orchard-audio-applepi-dac-review-t9633.html
  17. Hello, I would like a discussion for my setup if possible. I bought a set of Genelec 8040B's on sale last November off of Amazon. They have been great to listening to for the purpose of "vibing" off to and enjoying music for listening to and not for the purpose of mixing or mastering. So far I have been borrowing my friend's Focusrite 2i4i audio interface, and with the latest driver for Windows 10 I have not spotted any cutting off or crackling which I am pleased of thus far. These monitors are really satisfying and have a lot of detail to show. I use 25' XLR to XLR cable with the addition of 2 XLR to TRS connectors to plug into the Focusrite audio interface. Having to return the interface to my friend, am I better off to repurchase this product? Or is there a substantially more worth it setup for my Genelec's? This is of course assuming I have a good room to start with. I'm talking about an upgrade to revealing audible detail and first hand comparisons that would make something more of a jem to listen to compared to the Focusrite 2i4i. I'm not using music to listen to equipment, but rather equipment to listen to music. Any discussion would be helpful, especially from first hand experience of working with Genelec's. https://www.amazon.ca/gp/product/B01E6T50LY/ref=s9u_simh_gw_i1?ie=UTF8&pd_rd_i=B01E6T50LY&pd_rd_r=17a26602-4355-11e8-b4af-bb8759a2f7d7&pd_rd_w=SgdFF&pd_rd_wg=95DNU&pf_rd_m=A3DWYIK6Y9EEQB&pf_rd_s=&pf_rd_r=Z5RB9RANYAGHJ1P0R55Y&pf_rd_t=36701&pf_rd_p=07871b8e-d32a-4963-b98f-ba712077f7f5&pf_rd_i=desktop https://www.amazon.ca/Genelec-Bi-Amplified-Monitor-System-Woofer/dp/B00K2TP4TQ/ref=sr_1_1?s=musical-instruments&ie=UTF8&qid=1524089363&sr=1-1&keywords=genelec+8040 Thanks, Reggy
  18. thequietman

    Sold

    I’m selling part of my system. Aurender N10 , silver . 4Tb .$4750 USA ONLY. In excellent condition. PayPal only. Damian aka thequietman
  19. I have been unsuccessfully searching for a list of high-performance* commercial DACs that allow user to bypass digital filtering (NOS), leaving that task to a software music player such as HQ Player. It would be interesting if we could compile such a list in this thread. * - no TDA1543-based DACs please, only equipment that can take 24bit and sampling rates above 176.4/192kHz.
  20. Any experience? I am just about to start to experiment with them, I wonder if anybody has any suggestion?
  21. Chord seems to have redesigned the Hugo TT with: A new chassis A more powerful Xilinx Artix 7 FPGA Ability to play 768kHz PCM and DSD 512 playback A WTA filter with 98,304-taps (double that Hugo 2 has) Upgrade from a 4-element design to a 10-element design Six super capacitors capable of peak output of 5A, 9.3V RMS A new discreet output stage A four-stage filter controls, like in Hugo2 AVAILABLE: AUTUMN 2018 Dynamic range: 127dB ‘A’ weighted Noise: 4 uV ‘A’ weighted (high gain), 1.7 uV ‘A’ weighted (low gain) with no measurable noise floor modulation Distortion: 0.00008% @ 2.5 V 300Ω; 0.00016% @ 6 W 8Ω Output power (unbalanced): (@1% THD) 288 mW RMS 300Ω; 7.3 W RMS 8Ω Output power (balanced): (@1% THD) 1.15 W RMS 300Ω; 18W RMS 8Ω Output impedance: 0.042Ω Stereo separation: 9 V RMS 300Ω -138dB Dimensions: 130mm (L) x 100mm (W) x 21mm (H) Boxed Dimensions: 220mm (L) x 122mm (W) x 85mm (H) *My observation: The output power, if the spec is correct, is much higher than for DAVE which is good for us with hard to drive headphones and for those that drive their speakers direct* http://chordelectronics.co.uk/product/hugott2/
  22. Ayre will be presenting prototypes of the new 8 series at the High End show, which will start thursday in Munich. I presume a new dac/streamer/headphone-amp will be part of the 8 series, as a successor of the QB-9DSD. I also would expect to see a new integrated amp as a successor of the AX-7e. But I'm just guessing. I'm curious what will trickle down from the 5 series, and what new techniques Ayre will be implementing. Who knows more?
  23. BDugardin

    Fx Audio DAC X7 Only 24 bits

    Dear All, I've just received my new FX Audio DAC X7. He's connect in USB on my Mac mini running under Sierra. The problem I have is regarding the Bits depth ... As you can see in the print screen below, the Mac don't recognize the DAC as 32 bits product. Do I use an XMOS specific driver or an FX Audio Specific driver to help the Mac ? I've sent a request to FX Audio in China. I'm waiting for the reply ... if it comes ! If you encounter the same problem and have an issue ... welcome !! Kind regards,
  24. At Munich 2018, Rohm demoed a prototype DAC chip which they boast of: DSD512 S/N 130db THD -115db How it sounds? Who was there to listen and report? This is a salient point, power line impedance and how the DAC interacts. This means even more concentration on the quality of power supplies! Current conversion is not a new technique, but it does have a few plusses! Usually a downside to demos that look good, the reality of delivery
  25. Dear All, I've just received my new FX Audio DAC X7. He's connect in USB on my Mac mini running under Sierra. The problem I have is regarding the Bits depth ... As you can see in the print screen below, the Mac don't recognize the DAC as 32 bits product. Do I use an XMOS specific driver or an FX Audio Specific driver to help the Mac ? I've sent a request to FX Audio in China. I'm waiting for the reply ... if it comes ! If you encounter the same problem and have a solution ... welcome !! Kind regards,
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