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    The Computer Audiophile

    Devialet 200 & 400 Review

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    There’s no question Devialet builds beautiful products. From the moment one opens the box it’s easy to see this company is the Apple of HiFi. Unboxing a Devialet amplifier is like opening a present to oneself. Beautifully packaged, the amplifier comes out of the box with an absolutely perfect mirror finish to the chassis. The same can be said for the one of a kind remote control. Right from the start my experience with Devialet was luxurious. I can see why Devialet has become a media darling and why the press has unanimously drooled over everything the company has released. Are the products that good or are the stunning looks and unique design fooling everyone? I set to find out, first with the Devialet 200, then with a pair of Devialet 400 monoblocks.[PRBREAK][/PRBREAK]

     

     

    Devialet has built an incredibly versatile amplifier platform. Describing what a Devialet 200 actually is can be challenging because of this versatility. Using the online Configurator it’s possible to turn this product into an amp with four digital coaxial inputs or an amp with a phono input and many things in between. It’s also possible to configure the 200 for a single input such as asynchronous USB, WiFi, Ethernet, TosLink, or AES, and disable all other inputs. Heck, it’s even possible to turn a coaxial input into an output or use the USB port as an output for digitization of vinyl. Devialet is serious when it says the inputs and outputs are fully configurable. In addition to fully configurable, the entire Devialet line of amplifiers is fully upgradable because of the EVO platform. Prior to starting this review I received the Devialet 170. shortly after receiving this product Devialet released a firmware upgrade that transformed the 170 into a 200. As well as increasing the output from 170W to 200W, Devialet also added its SAM technology via firmware update. SAM stands for Speaker Active Matching and enables the amplifier to adapt the signal to the speakers provided Devialet has measured the specific model of speaker. This SAM measurement database contains nearly 175 speakers, including the TAD CR1 speakers I used for this review.

     

     

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    When configuring the Devialet 200 for my system I preferred to enable a single digital input and disable everything else. I didn’t hear a sonic difference between this single input mode and leaving everything else enabled, but the audiophile in me just felt better about disabling anything extra.

     

     

    My starting configuration was the Devialet 200 as a stereo amplifier / DAC and the Ethernet input enabled. I installed the Devialet AIR software on a Windows computer running JRiver Media Center, and selected the AIR device as the audio output within JRMC. This configuration enabled me to use the JRemote / JRiver combination that I and many members of the Computer Audiophile Community love. Readers should keep in mind that this Ethernet connection doesn’t support UPnP / DLNA. Devialet wanted what it considered was a better method of transporting network audio, so it developed AIR (Asynchronous Intelligent Route). AIR supports lossless streaming, very low latency, and very low jitter with the Devialet master clock controlling this asynchronous protocol. AIR requires a small piece of software be installed on a Mac or PC to enabled the Devialet 200 to appear as an audio device on the computer. Via wired Ethernet Devialet AIR works awesome. No dropouts and not a single instance of the 200 falling off the network (as can happen with UPnP / DLNA devices). Everything from 16/44.1 up through 24/192 played as smooth as silk. On the other hand, using Devialet AIR with the WiFi interface wasn’t as successful. I was unable to play 24/176.4 and 24/192 content without severe distortion from dropped data packets. I don’t believe my wireless network is an issue because I have been streaming 24/192 audio via WiFi to the Auralic Aries without a problem. Both devices support 802.11n but the 200 only supports the 2.4 GHz wireless band whereas the Aries supports the 5 GHz band as well.

     

     

    I used the Ethernet input first because I was very interested in testing its performance and Devialet AIR, but during most of the review period I used the Auralic Aries as the music source component and connected it to the 200 via USB or AES, depending on the interface I was testing at the time. Both interfaces support up through 24/192 PCM audio but don’t support playback of DSD in either native of DoP format. My guess is that Devialet may eventually support DSD, however DSD doesn’t make that much sense considering the powerful PCM based DSP used inside the entire line of Devialet products. To take advantage of this DSP all the DSD would need to be converted to PCM anyway.

     

     

    Before diving in head first, I should mention that one interesting configuration I used during the review was running the Devialet 200 as a preamp / DAC connected to a pair of Pass Labs XA 160.5 monoblocks. I used this configuration as a test for people who may be thinking about switching to a Devialet unit, but who don’t want to get rid of their large amplifier investment just yet. Maybe some people are a bit skeptical and would like to test the Devialet capabilities before jumping in with both feet. This preamp / DAC configuration enables just that. I was very satisfied with the performance of this configuration. The Devialet DAC sounded very nice in combination with the smoothness of the Pass amplifiers. Using the beautiful Devialet remote control is also a nice benefit to running the 200 as a preamp / DAC.

     

     

    The Devialet 200 in a stereo configuration connected directly to my TAD CR1 speakers is a great combination. Listening to Natalie Merchant’s Tigerlily album was a treat. On the opening track, San Andreas Fault, the vocals may have been a touch more veiled than I am used to but they were still rich and compelling. Bass control was superb on Carnival as the opening baselines were crystal clear. Each note was delineated well from the others rather than reproducing one large bass-like sound. The Devialet 200 definitely has good bass.

     

    Listening to Christina Aguilera’s Save me From Myself enables the Devialet 200 to really shine. On this track, with just a female vocal and backing acoustic guitar, the 200 incredibly seductive. The smoothness of XTina’s voice and the audible detail as she transitions from line to line (lyrically) are stellar.

     

    The Kansas City Orchestra’s version of Britten’s Orchestra has long been one of my favorite classical pieces. It doesn’t hurt that it’s a Reference Recordings version either. My favorite track is Passacaglia. On this track the opening violin sounds wonderfully soothing through the Devialet 200. The low end is powerful yet controlled about two minutes into the track and again shortly after the five minute mark. There is a plethora of detail to be heard throughout the rest of the track and the Devialet delivers this detail wonderfully.

     

     

    No product is without its issues and one fault I’ve found with the 200 is a slight lack of low level resolution when the volume isn’t pumped up quite a bit. Fortunately once the volume is in the 200’s wheelhouse the resolution is very good.

     

     

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    Speaker Active Matching

     

     

    While configuring the Devialet 200 online I also switched the remote control’s Tone button to work as a SAM on/off button. This enabled me to switch SAM off or on in an instant to compare the sonic characteristics of the technology to the standard “SAMless” sound. I think it’s fair to say that SAM has very different results with different loudspeakers. A speaker that needed some corners cut to save manufacturing costs may receive a larger benefit from SAM than an all out assault loudspeaker where cost is no object. My subjective viewpoints on SAM are thus only valid for the combination of Devialet and TAD CR1 loudspeakers.

     

    When listening to Natalie Merchant’s Tigerlily album I didn’t hear much difference between SAM enabled and SAM disabled. The most marked sonic difference could be heard in a larger soundstage when SAM was enabled. This enlarged soundstage may come off as a bit synthetic sounding to some listeners, myself included. I preferred SAM off.

     

     

    In my system SAM made absolutely no audible difference during the Christina Aguilera track Save Me From Myself. Perhaps this is due to the fact that SAM only operates on the lower frequencies and those frequencies are few and far between on this track. I had no preference for SAM on or off.

     

     

    Passacaglia and the entire Britten album faired much the same as the Natalie Merchant music. The sonic difference was mainly in a slightly wider soundstage, although I’m not sure I can get used to the sound. I preferred SAM off.

     

     

    Adding in another 200 to make a pair of 400s

     

     

    Seeking to upgrade my Devialet experience I turned the 200 into a 400 Master and added a second 400 as a Slave. The configuration of this was done via the online Configurator with just a few clicks and SD cards inserted into the back of each unit. Switching from a single 200 to a pair of 400s not only doubles the power it also reduces the distortion by four times (THD+N 0,00025%) as well as doubles the number of inputs should a user require more that can be offered by a single unit.

     

     

    Listening to Natalie Merchant and Christina Aguilera through the 400 monoblocks didn’t really overwhelm me with anything that wasn’t already present with a single stereo 200. Perhaps the music selection plays a large role in this determination. To test this I listened to Passacaglia, as well as many other albums throughout the entire review period. I could immediately feel the power of the 400 monoblocks when playing this track with its lack of dynamic range compression. This power simply isn’t there with a single 200 stereo unit. Passacaglia, and all the other tracks on this album for that matter, really benefit from the 400 configuration. This is never more evident than when the music increases in complexity and dynamic range. For example, my favorite part of Passacaglia is about 4 minutes and 30 seconds into the track as the tension builds into a big crescendo at about 5:45. The Devialet 400 is able to reproduce the loud and delicate parts of this track with very good resolve where the 200 comes up a little bit short.

     

     

    Conclusion

     

     

    As I said in the opening paragraph, I set out to find if the Devialet products were really as good as the press would have us believe. Starting with the Devialet 200 stereo amplifier / DAC, I found a product that sounds very good, looks very good, and is truly capable of replacing tens of thousands of dollars worth of HiFi gear for $9495. The sound quality of a single stereo unit can be as good or better than many of the industry’s traditional behemoth systems. Users seeking an even better system can add a slave unit for $7995 and increase performance, lower distortion, and produce the power necessary to reproduce all types of music nicely. Use of new technology and excellent engineering has enabled Devialet to offer, at less than ten thousand dollars, an ADH amplifier, preamplifier, and a DAC in arguably the industry’s most luxurious chassis. Music lovers seeking a system upgrade must consider Devialet for a partial or full replacement of a traditional HiFi system. Devialet is the real deal.

     

     

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    Product Information:

    • Product - Devialet 200 Stereo and 400 Monoblocks
    • Price - $9,495 for the 200, $7,995 for the second "slave" unit
    • Product Page - Link

     

     

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    Where To Buy:

     

    The Audio Salon

     

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    Associated Music:

     

     

     

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    Associated Equipment:

     

     

     

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    Of course. How can someone make a judgement without first hand experience? I had it in my home for a week. The aesthetics and interface are beautiful. I liked the small footprint and the phono connectivity, but the amplifier and phono stage was coarse and lacked low level detail. I'm not good at describing sound, but the 200 was basically fatiguing with none of the associated micro detail. I may not have been so critical if the unit was half the price or if it made bad recordings sound palatable.

     

    Very similar to my experience. I was drawn in by the beauty of the industrial design and had to have a listen. For me it was instantly fatiguing and it was a relief to switch the listening using the same source with a non-digital amplification.

     

    Chris - Perhaps I should read between the lines better, but did you notice a similar difference between your Class A amplification and the ADH of Devialet?

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    1) The phono preamp is digital, thus the vast configurability.

    2) This is the second time I've heard someone mention the loss of detail at lower volumes. The other person was on the devialet chat forum. He solved it by turning the maximum output power down. So I assume, less digital attenuation in the preamp/front end of the amp lets the detail come through.

     

    I just lowered mine from 200watts to 150 watts max, as I have relatively efficient speakers and never get close to using the 200 watts.

     

    I've often wondered why Devialet would offer the option to lower the output power. Maybe this is the exact reason, all the better to match speaker efficiency and finding the sweet spot.

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    And now I'm running it at 100 watts max and still have gobs of volume left to give me tinnitus.

     

    I seem to have more bottom end now, I had to turn SAM down 10%.

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    And now I'm running it at 100 watts max and still have gobs of volume left to give me tinnitus.

     

    I seem to have more bottom end now, I had to turn SAM down 10%.

    Bass and dynamics are quite good on the 200 as expected. The difference was very subtle, but some of us noticed the change in the lower bass when playing with the amp output. Did you hear any difference in the midrange?

     

    I'm curious what speakers you're using. I'm using very efficient 98db sensitivity/12ohm nominal impedence speakers. It's a VERY easy load, but can reveal warts. My friend likes the 200 on his B&W 802, but he also noticed the difference in midrange which was not subtle in a straight and blind comparison.

     

    The 200 is so many things and does most of them well. It's hard to tell exactly what was affecting the midrange and how to fix it or even if it can be fixed. I suspect it's a step up for most people in sound quality, but if you already have a well thought out system, you may be disappointed as I was. Luckily the dealer network is good and some will even let you borrow a unit for in home auditioning. Many professional reviewers tend to see things through rose-tinted glasses.

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    Bass and dynamics are quite good on the 200 as expected. The difference was very subtle, but some of us noticed the change in the lower bass when playing with the amp output. Did you hear any difference in the midrange?

     

    I'm curious what speakers you're using. I'm using very efficient 98db sensitivity/12ohm nominal impedence speakers. It's a VERY easy load, but can reveal warts. My friend likes the 200 on his B&W 802, but he also noticed the difference in midrange which was not subtle in a straight and blind comparison.

     

    The 200 is so many things and does most of them well. It's hard to tell exactly what was affecting the midrange and how to fix it or even if it can be fixed. I suspect it's a step up for most people in sound quality, but if you already have a well thought out system, you may be disappointed as I was. Luckily the dealer network is good and some will even let you borrow a unit for in home auditioning. Many professional reviewers tend to see things through rose-tinted glasses.

     

    My speakers are right there in my signature.

     

    It was the end of the night last night when I started playing with the output power. I'd have to give it more time but going back and forth takes time with regards to reprogramming the SD card.

     

    So you actually adjusted the maximum output or you noticed the bass difference at different volume levels set at the full 200 watts?

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    My speakers are right there in my signature.

     

    It was the end of the night last night when I started playing with the output power. I'd have to give it more time but going back and forth takes time with regards to reprogramming the SD card.

     

    So you actually adjusted the maximum output or you noticed the bass difference at different volume levels set at the full 200 watts?

    I didn't hear any change in mid-range resolution when adjusting the amplifier output. Midrange does get better as volume increases. The mid-bass and bass sounds more dynamic as you lower amplifier output, but I thought the bass was good at pretty much every setting and volume. Mid-range just didn't sound good to me. I felt like I was listening to a piece of equipment and not music if that makes any sense.

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    I have a D250 but I have no problem with midrange resolution and tonality at low levels (65-70 dB at listen position with approximately 90dB/W speakers). As I am using Devialets cross-over function it is a different situation than how most use it!

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    I have a D250 but I have no problem with midrange resolution and tonality at low levels (65-70 dB at listen position with approximately 90dB/W speakers). As I am using Devialets cross-over function it is a different situation than how most use it!

    That sounds smart. Can you describe your setup?

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    Hope the link comes through OK, another perspective on the Devialet sound from MonoStereo. The writer (name?) draws the line at accepting the Devialet for Hi-End status mainly with the baggage from Class D heritage.

     

    Only exposure I have to Devialet 200, in combo with B&W Diamond 803 and Naim media server front end. You could clearly hear the source deficiencies, which is 'good' attribute, but when fed with 96fs files of good quality, there's no magic. Class A or well designed AB has lasted well beyond maturity and for good reasons.

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    Hope the link comes through OK, another perspective on the Devialet sound from MonoStereo. The writer (name?) draws the line at accepting the Devialet for Hi-End status mainly with the baggage from Class D heritage.

     

    Only exposure I have to Devialet 200, in combo with B&W Diamond 803 and Naim media server front end. You could clearly hear the source deficiencies, which is 'good' attribute, but when fed with 96fs files of good quality, there's no magic. Class A or well designed AB has lasted well beyond maturity and for good reasons.

    That article was pretty accurate. OK sound for what it is, but nothing to write home about. Devialet seems to be selling a lifestyle and there's nothing wrong with that. Just think it can be done at a much lower price point and without all the purple prose.

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    I could not disagree more with your conclusion. I am using the Devialet 200 ( which replaced Audio Research and Auralic) and I find it to be an outstanding piece of gear. My conclusions are much more in line with the majority of those who have spent time with the device. I have been in the audio business for more than 40 years and it is not only a great sounding unit, but an astonishing technical achievement as well.

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    Hope the link comes through OK, another perspective on the Devialet sound from MonoStereo. The writer (name?) draws the line at accepting the Devialet for Hi-End status mainly with the baggage from Class D heritage.

     

    Only exposure I have to Devialet 200, in combo with B&W Diamond 803 and Naim media server front end. You could clearly hear the source deficiencies, which is 'good' attribute, but when fed with 96fs files of good quality, there's no magic. Class A or well designed AB has lasted well beyond maturity and for good reasons.

     

    That article is complete rambling drivel. Not a review at all but just ramblings of someone that feels sound quality is directly relational to price.

     

    The Devialet is actually a Class A amp and will run without the supplemental Class D current modules. This chatter about Class D being the problem is getting long in the tooth and is a completely uneducated opinion.

     

    If there is something someone doesn't like about the devialet: It is probably more related to the DSP processing used through out the amp not the Class D current driver portion of the amp!

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    Chris, thanks for the review. I have come to a similar conclusion. It is a really interesting product. Given all the great features, it just seems like a no brainier to want this product. But then you listen to it... and it dissapoints. The part that puzzles me is why so many people rave about it. I find the sound harsh and tiring, not what I would describe as musical at all. Looking at the rest of the thread I can see there will be many who don't agree with me.

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    Heard it and loved it. Detail without fatigue for me.

    And it isn't a class D amp, so possibly those that hear class D "artifacts" are hearing something resulting from expectation bias. The audio signal reproduction is class A, the current is from a switching amp.

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    My local dealer called me in to hear their 800's after they came back in from an audition at one of their customers. They did not use SAM during my audition but we did try the unit(s) with both the digital connected directly to the unit and from the analog out of their MSB Dac. They sound was pretty good especially when you consider what you save on power cords and interconnects let alone the pricing of a separate DAC and pre-amp. That said based on MY audition the 800 is not yet capable of competing with many of the better separate set-ups available today. On that day the comparison was the Soulution integrated. If I was to consider a second 2-channel set-up Devialet would be considered.

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    That sounds smart. Can you describe your setup?

    I am using the D250 for midrange/high as an amplifier but using older Kharma MP150 monos for bass via Devialet's analog pre out, crossover at 200Hz. The D250 alone is better than the MP150 but eliminating the passive crossover increases the resolution across the entire frequency spectrum compared to the D250 alone. The speakers are my own design using Accuton S280 woofers and a single bending wave driver for the rest.

    I thought there was some fuzziness in the upper midrange with the deviate alone but that is gone no matter which level.

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    Picked up a spanking new Devialet 120 a few days ago and straight out of the box, it should pretty sweet. I did have a chance to do a home demo on two occasions beforehand and both times, the Devialet was clearly better at communicating details than my Naim Superuniti. Sold the Naim all-in-one to help fund the new purchase last week and I am now enjoying a new level of detail and rediscovering my music collection.

     

    However, there's also a dark side to this tale. Given no there's no UPnP implementation, had to also purchase a pre-loved Mac Mini and decided to use the AIR app. Computer, NAS and Devialet are all connected via ethernet to router. As much as I am smitten and taken back by the level of detail, I've been also dealing with crackling and noise during playback. Not all the time but in the three days since taken ownership, its happened more often that I expected. Seems there's some bug with OS X and latest version of AIR. Needless to say, the honeymoon was just about over and I was rethinking my decision.

     

    Earlier today, I was informed that I could also use the USB and/or the Toslink input . So I disabled the AIR app, reconfigured the SC card and plugged the Mac Mini directly into the Devialet via the USB input. The custom configuration option is actually very cool and I can turn on/off features as needed.

     

    So far so good...I am happy again and glad to have jumped from British to French hi-fi !

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    My local dealer called me in to hear their 800's after they came back in from an audition at one of their customers. They did not use SAM during my audition but we did try the unit(s) with both the digital connected directly to the unit and from the analog out of their MSB Dac. They sound was pretty good especially when you consider what you save on power cords and interconnects let alone the pricing of a separate DAC and pre-amp. That said based on MY audition the 800 is not yet capable of competing with many of the better separate set-ups available today. On that day the comparison was the Soulution integrated. If I was to consider a second 2-channel set-up Devialet would be considered.

     

    The question isn't if the Devialet is the best sounding setup out there.The question is how competitve is it? If one of their models gives better sound than separates of a similar price or somewhat more, then the Devialet has accomplished quite a bit.

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    The question isn't if the Devialet is the best sounding setup out there.The question is how competitve is it? If one of their models gives better sound than separates of a similar price or somewhat more, then the Devialet has accomplished quite a bit.

     

    That is not how many "reviews" are comparing the units. Even here in the Conclusion section it is noted: "The sound quality of a single stereo unit can be as good or better than many of the industry’s traditional behemoth systems." There is no indication that the comparisons are only against similarly priced units. I agree that the Devialet units are fine products and have accomplished quite a bit.

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    I have a Devialet 170 upgraded to a 200. It replaced a Transporter/Berkeley DAC/ARC Ref 3 system that was powering a pair of Wilson Duette's. It was a major upgrade that completely shocked me. I bought it after an in home audition. i was not in the market. The biggest surprise came with the addition of SAM for the Duette's. The bass upgrade for these speakers is insane. Best tweak ever by a factor of 10. In my very subjective opinion, I have never heard a better, more satisfying system. No, I am not kidding. Yes, I know my system can be beat, will be beat and can be improved. And I did not do a legitimate A/B with other systems and I only used a mac mini as a source. That is not the point.

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    The bass upgrade for these speakers is insane. Best tweak ever by a factor of 10.

     

    Thank you for providing us with your impressions. I read your post with great interest as I have Duettes and a Berkeley Alpha. How does the resolution of the Deviatet compare to the Alpha? Also, how does the tone of the Deviatet compare to your old system? I am intrigued by this technology, but haven't been able to hear it under ideal conditions.

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    It is hard to describe. I think the DACs are similar. The difference mainly comes with the amplification and the elimination of cables and components. The system is so powerful yet noise and distortion free, everything seems to leap from darkness. Excellent resolution, and tone neutral. Effortless is a good word to describe it now.

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    I have a Devialet 170 upgraded to a 200. It replaced a Transporter/Berkeley DAC/ARC Ref 3 system that was powering a pair of Wilson Duette's. It was a major upgrade that completely shocked me. I bought it after an in home audition. i was not in the market. The biggest surprise came with the addition of SAM for the Duette's. The bass upgrade for these speakers is insane. Best tweak ever by a factor of 10. In my very subjective opinion, I have never heard a better, more satisfying system. No, I am not kidding. Yes, I know my system can be beat, will be beat and can be improved. And I did not do a legitimate A/B with other systems and I only used a mac mini as a source. That is not the point.

     

    Hi RobertSF

     

    From my own similar experience, I highly recommend moving on / up from the mac mini as your source or renderer. See if you can get a demo of one of the new Aurender units, or even an Auralic Aries. The minis can sound decent, but need a lot of work and software work arounds.

     

    Ciao

    Kenreau

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    @ AllanF... The latest firmware update (8) may have taken care of this. According to Devialet,

     

    RAM®, Devialet's exclusive new technology (Record Active Matching) adapts in real time the phono stage parameters, including: EQ curves, mix mode, cartridge sensitivity and loading parameters. Now providing 11 new equalization curves.

     

    This continual updating is one of the more compelling features of a Devialet unit.

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    I do agree to all the comments made above. What Devialet delivers when it works is outstanding.

     

    Over the last couple of weeks - unfortunately - I came to experience the other side: customer support is nowhere where it used to be.

    I have an issue with the speaker output, flagged to Devialet weeks ago; all I hear is that they are working on it.

     

    I bought an amp about 1/10 of the price of my Dev, and it performs flawlessly.

    Dieter

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