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The DAC501 is Weiss Engineering's new state of the art D/A Converter with an unprecedented level of sophistication and versatility. With the DAC501 Weiss is creating a new paradigm for what used to be a black box device. A typical D/A Converter is a "set and forget" device. Not so with the DAC501. It adds a number of interesting signal processing features and sports a variety of digital inputs. Balanced, unbalanced and headphone outputs are provided. Weiss Engineering has a 30 year history in D/A Converter design. In that time span they have learned a thing or two about converter design. The DAC501 is the essence of their experiences. FEATURES Inputs AES/EBU or S/PDIF via XLR, Toslink and RCA UPnP / DLNA (via Ethernet) USB Accepted formats: PCM 44.1kHz up to 384 kHz, DSD 64x / 128x Future formats can be accommodated for via software updates Outputs Line out unbalanced on RCA connector Line out balanced on XLR connector Headphone out on 1/4" Jack Analogue One of the latest 32 bit D/A Converter chips is used Discrete output stages for both line and headphone outputs Signal Processing The DSP algorithms can be different depending on which output is selected (line or headphone). Some DSP algorithms have to work differently if they are used for headphones in comparison to speakers. Creative Equalizer - A tone control with low boost/cut, high boost/cut and mid boost/cut. Very useful to correct those recordings which do not quite fit your taste. De-Essing - The automatic removal of overly bright sibilances from human voices. The sibilance effect can be more or less pronounced depending on your speakers or room acoustics. Constant Volume - Adjusts the audio volume (loudness) to a constant value across all tracks played. Useful for "party mode" when the volume control should stay untouched. Vinyl Emulation - Get that special sonic character of a record player based playback chain. Crosstalk Cancelling (XTC) - For the playback of dummy head recordings or live recordings via speakers for an incredible live sensation. (For speaker based playback only.) Out Of Head Localization algorithm - Tries to get the music "out of your head" when listening via headphones. The goal is to achieve a similar listening sensation as one gets when listening via speakers. (For headphone based playback only.) The DAC501 is operated via the rotary encoder control on the faceplate, the touch sensitive color LCD display or the IR remote control. Some additional settings can be done via a web interface from any computer. Controls The DAC501 is operated via the rotary encoder control on the faceplate, the touch sensitive color LCD display or the IR remote control. Some additional settings can be done via a web interface from any computer. Mechanics The DAC501 has a similar size as the Weiss DAC202 unit. The DAC502 version is a larger size unit, similar to their MAN301 unit. The features of the DAC502 are the same as the ones of the DAC501. We've now begun accepting pre-orders. If you have any any questions about either DAC or would like to reserve one, please visit us at ciamara.com or give us a call a call at 1.844.CIAMARA High End Audio Store NYC - Experience Ciamara1.844.CIAMARA (1.844.242.6272)

Auralic Taurus MKII Balanced Headphone Amp(Sale Price $1329, reg retail $1899) SALE - SAVE $480 on the $1899 Retail Price From Now Until January 31st Begins from the pursuit of an extraordinary amplifier that can well match with modern top quality headphones, inspired by the soul of Rupert Neve's legendary design philosophy, bearing with modern simplism style appearance, TAURUS MKII is born with a perfect coalescence of classic and pop elements. The smooth, rich and detailed voice of TAURUS MKII is a succession of AURALiC’s elegant and graceful aesthetic taste. Referring to Neve analog console’s circuit design, AURALiC invent the ORFEO Class-A output module and fit them into TAURUS MKII. The ORFEO module offers great driving ability by delivers 1000mW (600ohm) to 4500mW (32ohm) power into various loads; this allows TAURUS MKII to squeeze out every headphone’s capabilities, unfold the beauty of their unique sonic style. Resorting to the ultra low noise input buffer tailored by AURALiC, TAURUS MKII has a wide dynamic range greater than 130dB while maintains the output noise less than 5uV. With such astonishing performance, TAURUS is able to capture the most tiny music expression coming from the source component. The TAURUS MKII builds on the design of the original award-winning TAURUS, launched in 2010, by concentrating all surface-mounted components in an audio signal patch. It also increased the TAURUS’ EMI shielding, reducing noise from the input buffer to 0.8uV, less than half the level of the original. Additionally, AURALiC improved the input switch circuit to increase the isolation among different input channels, which boosts performance when the TAURUS MKII is connected to multiple sources. Smoothed music expression, sophisticated circuit design and brilliant appearance; TAURUS MKII is another exemplary works designed by AURALiC. High End Audio Store NYC - Experience Ciamara1.844.CIAMARA (1.844.242.6272)

Bricasti M1 > M5 > M12: Network Player - Member REVIEW w/OEM Response from Brian Zolner President/Owner Bricasti below s Hey Guys - I have been going back and forth between what to go with for a Ethernet Network Media Player - either Innuos, SOtM, Sonore, Uptone, Bricasti M1 Network Player or M5, etc. I have a thread dedicated to working toward this decision and got some fantastic help from many CA members. I learned so much and in such a short time. This forum is Fantastic - so many people are so helpful and I appreciate it very much. I am including the link below to anyone interested in that very educational journey. Great stuff if you are interested in Innuos, SOtM, Sonore, Uptone, Bricasti Network Player or M5 I purchased a bunch of these product to try and learn for myself to be sure. I did not want to question my decision with any what if's and wanted the best sounding option for me and my system. I ended up going with the Network Player Option installed in my Bricasti M1SE DAC and I wrote this feedback to one of the best people in all of Hi-End Audio, Brian Zolner President/Owner/Designer Bricasti Design. His digital and analogue products sound absolutely fantastic and the build quality is second to none and the support is as good as it is anywhere. All made by hand right here in good old Massachusetts, USA. I asked Brian if it would be OK if I share my thoughts with the super helpful crew - the CA members that were so important in helping me get to this decision. He said no problem I also asked if he wanted to respond and comment and he provided some great insight below my feedback on his thoughts on the M1, M12, M5 network players and USB audio. I am glad to be able to share this with you guys. I will send Brian this link and I am sure if any of you have any questions or feedback or thought that would be fantastic. We will get you all the info you need. This is some seriously good sounding gear and its a lot less money than the Aurender and Lumin and it blows their doors off! Also, I would love some idea's and feedback and any idea's really now that I am all in with Ethernet audio what is my next step? One member told me to buy The Linear Solution OCXO Audiophile Switch. (link at bottom of the page). This is supposed to provide a great bump in SQ and it is $679 and comes with a dedicated purpose built Linear Power Supply. Please share you thoughts on this or any other upgrade that can help me get the most out of my Bricasti M1SE Ethernet Network Media Player. Subject: Re: Feedback Send to Brian Zolner and Joe at Bricasti Hey Brian and Joe, I wanted to reach out and thank you both for the very kind and outstanding service installing the Bricasti M1SE Ethernet Network Player option in my M1SE DAC. Guys, it is absolutely fantastic! It needed about 40 to 60 hours of burn-in to get to where it was going and honestly the upgrade over that time was substantial. I get that some people don't believe in burn-in and others like me clearly hear it but I am just telling you guys this Bricasti M1SE Ethernet Network Player option is absolutely fantastic. At first I was strongly considering the M5 just because I already own all of the premium - supporting USB Gear and thought it might be great and I am sure it is but honestly guys in all fairness I didn't think the Bricasti M1SE Ethernet Network Player option would end up being this good? Man is it good! I thought it would be good and/or even great but it surpassed even those expectations and that's not an easy thing to do. I am looking for an awful lot out of my gar and I had some premium gear it needed to stand up against. I can speak from first hand experience about this Network Player option and how it compared to all the similar other gear listed below. All my thoughts are in comparison to the gear listed below. I was able to do a/b verse some really good Ethernet / USB options that are some of the hottest, best selling products going and I assumed from an a/b it would be close and/or maybe I couldn't even tell the difference but this is where my non-audiophile wifey serves as a sort of blind test. Yes her ear has evolved but she is not an audiophile. What the Bricasti Network Player option does that is so much better than everything else is actually something you never even knew was missing until you hear it and then remove it. It jumps off the page during A/B's. Sometimes A/B's can be tough but here it stands out as clear as day it was simple. To test myself I asked my wifey for her help and what she thinks. I set up the Sonore/Uptone Combo and then the SOtM/Uptone power supply combo and the Bricasti Network Player and mixed them up and she picked it out each time. She actually picked out the SOtM over Sonore also so maybe her ear is getting better than I think but she heard it and picked it out clearly and simply so that reinforced what I already knew but wanted to check it. Bricasti Network Player is so much more direct and decisive. It's immediacy and directness just can't be missed. I was like "yes, yes, oh man yes"! "Thats what I am talking about" and you know what - those are far and few between these days so when it happens you REALLY appreciate it. Thank you It not like it is a little warmer and a little clearer or it widens or deepens the stage or something like that which by the way it does all these things but that's not my point. It is immediate, decisive and startlingly quick. Its got jump and you are just much closer to the event. It was a combo of heightened transparency with just layers removed and more information magnified and exposed in all its greatness. Also, I want to make sure to note that I am not talking about being more upfront either because it offered a deeper stage and the voices are actually pushed further back which normally I don't prefer. I actually like that dynamic and sort of upfront sound as a rule but that is not what this is. This does it totally different! It does it the only fashioned way. It earns it. This is no designers voicing choice, this is simply a much more robust and substantial component. It performs at a much higher level and it is shows on so many levels. Vastly better separation and delineation in that more direct package. The stage opens and the walls expand and out comes a richer and more layered and more natural presentation. Man that separation is just fantastic! I just can't get over that open space it puts around everything and the air and the extension go on and on. It's just that every item is so sharp and precise and magnified in 3D space. Everything is tighter and wider and deeper and it all just holds together so well and is so confident and that heightened image precision is such an enjoyable effect. I don't want to touch anything - this the best sound I've ever had and I'm ecstatic! Better than analogue IMO. I am sure there are some uber turntables that will out do it but pound for pound I doubt it IMO. I was impressed at this much closer to the event effect. It's kind of hard to articulate but I think this might shed a little more light. Sort of that same effect you get when you have a great DAC or CD player and then you remove the preamp. The only thing with removing a great preamp is you gain that great immediate directness but then lose all that greatness that a great preamps provides but that increased directness is such a desirable effect so many people do it. I did it but then you get a great preamp and you say man I love the directness but I am giving up so much to get it. Some big time trade off's and many go back and forth. I know I did for a while. So this new Network Player upgrade was like keeping your amazing preamp and all the great benefits the pre provides while still getting that great directness a preless set up gives you. Best of both worlds! How often do you get to have your cake and eat it too? Well that is what happened here IMO with this so I think you can see why I am so happy about it and hope this does a little better job of explaining the main effect of this Ethernet Network Player option I added to my system. This preless type directness while keeping all the greatness of a preamp is worth the price of admission all by itself but there is more. All that directness has a great effect on the bass which is tighter, cleaner and more nuanced with much better separation. There isn't any more slam or power. It is not rounder or warmer which some may prefer but it is different. It is more nimble and lighter on its toes with more precision and definition. I don't think its any less powerful but it's different sort of like my Magico speakers are. People think or feel with Magico's sealed Aluminum cabinets there is less bass when in actuality there isn't any less but it is faster and more defined but some interrupt this as less bass but I don't agree but also each to their own. I find it to be a nice improvement and upgrade but I can see someone that likes to listen to a lot pop or rap music they may refer a thicker or rounder sound but everyone else will love this IMO. I will take quality and precision over quantity every time but that's just me and everyone is different. I want take a moment to thank you and your company again for your approach to supporting the folks that purchase your gear. Premium Hi-End Audiophile gear is quite expensive and so many of the top Hi-Fi companies come out with a new model every few years and that kills us. We need to sell our old one to get the new one and that makes expensive gear insanely expensive to own. Many people like me want the most recent and best gear they can afford. You guys make this possible and care more about your customers than any of the other OEM's and we appreciate it very much! You guys are totally different from the Vast Majority of high ends OEM's. Also, this feedback was not made in a vacuum. Here are the items I had in my system that I did an A/B with that allowed me great insight into how your Ethernet Network Player option worked verse the others. Some of these I only owned a for a short while because I knew there was no contest. Most have either been sold or are in process of being sold on Audiogon because your Network Player made them obsolete. I am keeping the JS-2 and P10 for my new system set up. Tellurium Q Black Diamond USB Cable Curious Regenlink USB Cables (2) Uptone Audio USPCB Connectors Uptown Audio ISO Regen USB Uptown Audio LPS-1 UltraCap Power Supply Uptown Audio LPS-1 UltraCap Power Supply Breeze Audio 12v Linear Power Supplies Breeze Audio 12v Linear Power Supplies Uptown Audio Amber Regen USB Uptown Audio JS-2 Linear Power Supply Sonore mircoRendu 2.5 Ethernet / USB Player Ghent customer DC power Cables PS Audio P10 Regenerator SOtM tX-USBultra w/50 ohm connector SOtM sms-200 Ultra w/50 ohm connector I honestly thought in my heart of hearts USB might be the way to go just because it has come so far in not that long of a time. Sonore, SOtM and Uptone Audio in my opinion changed the world in regards to the USB landscape and in a huge way. There are a few others as well. They brought, real world price upgrades to USB that made semi-inexpensive gear better than super expensive legacy products from just a few years back (CD and SACD Players) and this changed the game. Now it appears you have changed the game on the Ethernet side. I call tell anyone out there that doesn't own a Bricasti M1 is to buy the M5. I am not sure how the M5 sounds because I have not heard it but if it sounds anything like the M1 Ethernet Network Player then there is nothing that can touch it. Great job and thank you guys. With your permission I would like to share this personal email on my forum post and if you are ok with it any of your responses as well. People are waiting to hear my thoughts so I thought I could email you and inform them at the same time. Thanks Frank Fsmithjack Subject: Re: Response / Feedback from Brian Zolner Bricasti President/Owner/Designer to Frank Smith / Fsmithjack Frank, Thanks for all that commentary, and well guess only thing I can say or add is once we got the LAN working in the M12, and then the M1 ( it’s the same streamer used in all products) I never went back to USB, clearly better even just connecting with 50’ cat5 from my server to the M1. We do all shows with the LAN and try to convince users this is the way. I feel that regardless of the cables and power supplies and clockers etc for USB that seem to make some differences, one might say they create differences and subjective to if its better or not, but I feel USB is fundamentally flawed and when the player or renderer is installed directly in the M1 it eliminates all the issues of USB, it removes it from the computer, and places it in the M1. We made our own player, running on a linux core on an ARM processor, runs off the linear supply in the M1 too. so no extra processors running as with a PC where the computer is doing all kinds of other co processing, switch mode power regulation on the PC mother board etc. But in the end of all that stuff, this approach eliminates it. For the sound of USB, People are fooled by things and as you point out someone might like the effect of the USB, but I think what we get with the streamer is true sound reproduction with no jitter and noise added to make the sound dance a bit, I hear it clearly on my Tidals, and our M28s, no loss of bass at all for me, but tight clear and excellent extension, no bloating. The M5 was made so that a user could run off the network or PC without using USB, I feel the AES is the best as removes these issues. But installed in the M1 or M12 is the best, direct I2S to the DSP and then to the DAC. The M5 with AES is darn close to what you have, I have done a lot of listening and that was the idea of that product to offer great playback and no USB for anyone and any DAC. Enjoy it, I know it changed my life, my server PC is in another part of the house and I run it all from Jremote, there is just no other way to play, besides the sound there is the convenience factor and I play tracks from my phone or stream from it to the M1, or the server, or the NAS or any PC in my home, all the computer stuff goes in another room away from the listening room. It’s a network and that is what starts becoming interesting and you don’t get that with USB or any other point to point interface. Go ahead and share the story, its what we hope others will find out too. Brian Subject: Re: Response / Feedback from Joe at Bricasti to Frank Smith / Fsmithjack Hi Frank, thank you for great write-up! Enjoy your M1, if you ever need anything just let me know. Thank you again, joe http://www.bricasti.com/en/consumer/m1se.php http://thelinearsolution.com/ocxo_switch.html

[video=youtube;CYQrzU-srSE] Ayre Codex headphone amp/DAC/digital preamp video review courtesy of the good folks at Head-Fi TV. For additional information on the Codex or any other products from Ayre Acoustics, please visit us here or here High End Audio Store NYC - Experience Ciamara1.844.CIAMARA (1.844.242.6272)

I am helping a friend sell some of his extra audio gear. We have 2 pair of EnKlein Zephry 2 Balanced interconnects (62" tip to tip) for sale. These have just come back from the factory and look new. MSRP is $2500 per pair, we are asking $1300 a pair or $2500 for both pairs for these excellent almost new cables. At these prices we will cover domestic PP fees and shipping to the USA. The only reason he is selling is he moved to the top of the line Enklein David cables. For this money you will be hard pressed to find a better sounding cable. Link to cables- https://enklein.com/products/zephyr2/

Here is your chance to own the legend with almost all the available options, but at the base price. I have too many great DACs and need to raise cash for some new analog gear, so I'm selling my Crimson Balanced USBDAC from the workshop of Gordon Rankin. The base unit ($7500 MSRP) is loaded with rare "Cobalt" core copper transformers (a $2500 option at the time of purchase), the Denominator DAC module (a $1500 option), as well as the volume control (a $750 option). In total, it is a $12,250 tricked-out version of this legendary USBDAC. I am willing to sell it to a good, Computer Audiophile-approved home for $7500 - the price of the base unit alone. If it doesn't sell "in the family" so to speak, I will list it on Audiogon for somewhat more. Exceptional condition (maintained in a smoke- and pet-free environment). Thanks for your consideration. - Pete -

Hello everyone, I've just purchased then new version 1.2 of the Katana + Isolator DAC (but I haven't received anything it yet). I would like to try to solder XLR connector on it (as it's said it can be done). I tried to download every documentations I could find on Allo website : I found a lot of details on how to power each card of the "bundle" but only a few about where to "plug" XLR connectors. From what I saw : I don't have the detailled schema who explain which of each their "...soldering points ready..." are supposed to be used to (I'm speaking about how to identify the positive, negative, drain and chassis ground soldering points on the board). Thanks a lot for your help

My upgraded Lampizator Level 4 Generation 4 DAC is for sale for 1990 EUR (2290 EUR with extra tubes) including shipping to EU (not including PayPal fees or shipping outside EU). Original boxes and certificate of authenticity/guarantee are included. This is the standard 230V L4 G4 that I bought from Kemp Elektroniks (audio distributor from The Netherlands) on August 2014. They upgraded the unit with: - Allen Bradley resistors - Furutech gold plated IEC inlet. That unit had the standard S/PDIF (RCA) digital input and RCA analogue output. Then I sent it to Lampizator to install the following upgrades: - USB Input - DSD Engine - Convert it to fully balanced - 4 new Jupiter Copper Wax capacitors - 2 sets of XLR outputs (Very important for me to be able to connect the DAC to two different amplifiers not having to connect and disconnect cables). I cannot understand why this is not a standard feature in most DACs. - Replace RCA input connector with a 75 ohm BNC connector. The unit has 5 years transferable guarantee from August 2014. Still more than 2 years of official guarantee ahead. After the upgrades I tried different tubes that will I include in the package and sound much better than the default ones (Sovtec): - 2 pairs of Sylvania 6SN7W Short bottle. My favorite tube - Pair of Sylvania 6SN7W big bottle. My favorite too. - Pair of Ken-Rad 6SN7GT VT-231 . My second favorite. Bass to die for. Plastic holder in one tube is broken but it fits perfectly in the DAC and it does not affect the sound. - 2 pairs of 1578 Russian tubes. The best Russian 6SN7 tubes, comparable to the best. Very recommended by Lampizator. - Pair of Tungsol 6SN7WGT tubes. - Sylvania 5Y3WGT rectifier tube - Bendix 6106 rectifier tube (More than 400 EUR in nice tubes) As you can see in the web, this DAC would retail for about 4500 EUR not including the tubes. This is the DAC that made Lampizator famous. It is their best seller that you do not see usually for sale as people normally do not let them go. This Lampizator DAC sounds amazing and it has been very well built. Before doing the upgrade, Lukasz told me in an email: “... the DAC looks very clean and good. It was a specially well made demo unit for potential distributor. ….” Some reviews: ( many more here: REVIEWS ) LampizatOr Level 4 DAC Mono and Stereo High-End Audio Magazine: Lampizator level 4 DAC test review Pictures (click for higher resulution images): Cheers, Victor.

Begrudgingly selling a beloved personal amp from my private collection. The Liquid Carbon is a limited-edition, community-inspired, and carefully-crafted distillation of our Cavalli Audio house sound. There were three runs made, the final ones just have been distributed. Each run consisted of 500 units. The Liquid Carbon is a fully-discrete, fully-balanced, transportable solid-state headphone amplifier that is capable of driving all but the most demanding of headphones - delivering satisfying levels and offering superb driver control for exceptional detail and linearity. It’s fully-balanced as well, on both its inputs and outputs. In fact, whether your DAC has balanced output or not - and chances are that it doesn’t - the Liquid Carbon accounts for that with phase splitters on its single-ended inputs, so that it can “generate” balanced input signals. The Liquid Carbon also features adjustable gain (1X/3X), comprehensive input and output options, and ultra-low output impedance (~0.12 ohm balanced, ~0.08 ohm single-ended). All of the above combine to form something that is truly more than the sum of its parts… an affordable end game headphone amplifier. Includes: Liquid Carbon amp, Audioquest NRG-3 power cable (purchased separately for $100), and original box. $650. Buyer pays shipping and PP fees