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    by Published on 12-16-2014 09:20 PM
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    One week ago Devialet contacted me about returning to Paris to see a new product before it was released to the public. I was provided no additional information. I wasn’t sure if I was going to see a loudspeaker, a DAC, or an iPhone replacement. I said yes immediately because Devialet ...
    by Published on 10-30-2014 10:17 PM
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    Today many music lovers' dreams come true with the launch of TIDAL HIFI in the US and UK (other countries to follow). Finally we have 100% lossless streaming of around 25 Million tracks to our HiFi systems, our desktops, and our mobile devices. Right now I encourage everyone to give TIDAL HIFI a try. A much more in-depth article and review is forthcoming. Read more to check out the videos. ...
    by Published on 10-20-2014 03:52 PM
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    I've been on the road, more often than not, since September 15, stopping in Oslo, Paris, London, Denver, and now Salina, Kansas. I'm not going to ask readers what these four cities have in common because it's absolutely nothing. Life doesn't get much different in the western world than the difference between London and Salina. However, when it comes to playing the Blues, none of the aforementioned cities can touch little Salina on this special weekend. This year marks the 17th annual Blues Masters at the Crossroads held at Blue Heaven Studios in Salina. The studio is an old church purchased many years ago by Acoustic Sounds. Touring BHS in this 100+ year old church was, by itself, worth the trip to Salina. Watching two evenings worth of great Blues music was over the top terrific. ...
    by Published on 10-07-2014 10:05 AM
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    It has been a long time coming, but the new Computer Audiophile mobile application for iOS is finally available through the iTunes App Store. The app works great on the new iPhone 6 and 6+ and iOS 8. The app is free for all. I encourage everyone to download it today.






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    by Published on 09-29-2014 03:23 AM
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    As I sit here sideways at my keyboard, with my twice-daily ice wrap around my knee, elevated and precarious, I am reminded of my doctor's response when I asked him why this seemingly innocent outpatient knee 'scope is taking so damn long to heal (three and a half months of pt, etc). To paraphrase: "Even though we have been doing these for many years, hundreds of times each per year, the prognosis is always different. Everything matters! Age, location of tear/damage, predilection to fast healing, diet, exercise, etc etc. So, PLEASE, do not read about 3 week recoveries on the Internet and expect that to be the norm. It's not a new science, but it's full of variables. We took a lot of lateral meniscus out, for example."

    Well...this article is not about my knee pain. It's about my music pain! Not really, but it is about one aspect of our own science (hobby) that is filled with many variables, where "everything matters" (note: as much as I like that terse, succinct, accurate, frustrating mantra I have to give credit to our own CA contributor Barrows for truly inventing it as his own).

    So..what am I getting at? Computer audio is far enough along that many new hobbyists expect there to be some standards and feedback that can help reduce the almost infinite variables involved in making a good knowledgeable decision about a new music system based on computer playback. That would seem to be a fair expectation. So why aren't there more "fundamentals" or "dogmas" in computer audio after all this experiential data from many users. Why not? My opinion, alone, is this: few of us can experience removing enough of the largest variables in this hobby to discuss any semblance of "fundamentals", because those variables are

    1)
    our own room;
    2) our own hearing limitations;
    3) our own listening preferences;
    4) our system make-up as a whole (i.e cake recipe vs cake) and finally,
    5) the introduction of a new piece into those first four aspects.

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    by Published on 09-18-2014 01:48 PM
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    I spent the last two days at the WiMP / Tidal headquarters here in Oslo, Norway. I am very impressed by the company, its lineup of partners integrating lossless streaming, and its vision for the future. The Tidal office buzzes with activity from the energetic staff. I was fortunate to talk to several employees in different departments from marketing to the editorial team to ultra technical guys working with massive amounts of data. Everyone felt a sense of pride for the product, not only because it's from Norway but also because each member of the staff has input into the product. Everyone I talked to appeared to be in love with their job at WiMP / Tidal. I walked away with a sense that it's a very hip and cool company for which to work. Speaking of work, HiFi industry veteran and Peachtree Audio co-founder David Solomon is now Tidal's Director of Sales and Marketing in the United States. Speaking of the United States, I predict Tidal will launch its lossless streaming service in the US at the Rocky Mountain Audiofest in October, given the company is listed as an exhibitor! Members of the CA Community attending the show are likely to see Tidal streaming in many rooms this year. Based on the number of partnerships Tidal has established with manufacturers seeking to embed the streaming product into components, RMAF and the months to follow will be exciting times for the CA Community. Given that WiMP / Tidal is a public company it's nearly impossible to squeeze information from the team. There are strict stock market rules about what information can be shared with non-employees. Fortunately, I attended the annual WiMP / Tidal company party Wednesday evening and talked to several hardware manufacturers who are currently working on embedding the lossless streaming product or who may embed it in the near future. Journalists, even in HiFi, have ways of getting the inside scoop. I lined up a review or two with some well known component manufacturers while at the event and I look forward to sharing all the information with the CA Community as soon as possible. Until such time, here are some photos of my trip to Tidal headquarters in Oslo, Norway.
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