Jump to content

zeitchef

  • Posts

    5
  • Joined

  • Last visited

  • Country

    Germany

Retained

  • Member Title
    Newbie

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. Wynton Marsalis "Carnaval" on Sony... amazing performances and sound quality. I really enjoy this record. Sent from my iPhone using Computer Audiophile
  2. I think the important point would be centering in on the ideal audience, someone like Chris, who has a passion for music but needs a little help appreciating why they love it. The Guardian did a wonderful series on contemporary classical music recently: a series of 50 articles centering on a single composer with a high-level overview of why they are so important and critical works in their oeuvre. I could imagine a series of listening guides, aimed towards our target audience that might go much deeper than these articles allowed. For example, what makes Mahler's Second Symphony so great, with a detailed "what to listen for" guide and recommended recordings. Other general interest articles might included basic performance practice items such as the audible differences between European and American orchestras (how can I hear the difference between the Chicago Symphony and the Vienna Philharmonic?), the basics of "HIP" performance (and other performance practice trends), and important works of the 20th/21st centuries (which sadly are largely ignored). I'm somewhat of an expert with modern music as a performer, and my primary audio passions center around recordings of Mahler symphonies, Romantic and Modern opera, and general orchestral repertoire. If any of that sounds interesting, I'll be happy to contribute in some way.
  3. I must say, I completely disagree with this statement. In my education work, I find that audiences are much more engaged with music when they have more "intellectual" information about a piece of music. For me, it's not a matter of "love" but of "appreciation." For example, I love a good bourbon whiskey, and I find the more I know about it, the process that it goes through, makes me appreciate it all the more deeply.
  4. I'm a professional conductor working in Europe and would entertain such a notion. Feel free to send me a message to discuss what you have in mind. Great idea! Sent from my iPhone using Computer Audiophile
  5. Eroica (#3) conducted by René Leibowitz with the Royal Philharmonic Orchestra from 1962.
×
×
  • Create New...