• Room Correction

    by Published on 12-02-2013 05:31 PM
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    2. Room Correction
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    In this article, I walk through the steps using Acourate to create a 3-way digital crossover (XO) for tri-amping my speakers. Additionally, using the audio toolbox functions of Acourate, I walk through the steps of time aligning the drivers, linearizing each driver, and performing a final room correction.

    With respect to room correction, I recommend reading, “Acourate Digital Room and Loudspeaker Correction Software Walkthrough” for an introduction to Acourate. The article details the steps of acquiring a calibrated microphone, measuring the system, and designing a baseline room correction to provide the listener with a perceptually flat frequency response at the listening position.

    My goal is to make this guide repeatable so anyone following the same steps should be able to achieve similar results. Using digital XO, time aligning and linearizing the drivers, and correcting the room’s frequency and excess phase response, increases my systems imaging resolution so my speakers *disappear*. ...
    by Published on 06-20-2013 09:43 AM
    1. Categories:
    2. Room Correction

    In this article, I walk through the steps using Acourate to produce a default or baseline correction that is repeatable. By following the same steps, one should be able to achieve a similar baseline correction. This baseline correction is designed to provide the listener with a perceptually flat frequency response from 20 Hz to 20 kHz. Making the measurement and correction process predictable and repeatable is important to achieving a successful sonic result that one would be happy with.

    Dr. Uli Brueggemann’s Acourate ( approx. $400 USD) is a high end audio toolbox with many functions. The Acourate web site provides a good description of the software solution:

    The sound arriving at the listening position is measured and analyzed. The quality of the direct sound is analyzed preferentially within an adjustable time window. In combination with a target function (adjustable by the user according to listening habits and preferences) a correction filter is calculated. The music signal will be corrected by the filter during playback. Thus an optimized sound will arrive at the listening position.

    Low frequencies cause standing waves in any room, also described as room modes. Some frequencies will be boosted, others will be attenuated. The room correction avoids too loud playback levels by attenuating the corresponding frequency range. Weak levels will be boosted carefully to a higher level.

    Acourate applies a psychoacoustic analysis to ensure correction filters fitting to the human ears.
    Furthermore Acourate corrects timing errors of the room and the speakers by a phase correction. The target is to get as close as possible to an ideal step response, the best possible coherence, and similarity of response between the loudspeakers.
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