Using the chart below, what subjective terms would you use to describe the tone quality (a.k.a. tone color or tone balance or timbre http://en.wikipedia.org/wiki/Timbre) of your sound system at the listening position?
This chart, used by permission from Bob Katz, Mastering Engineer extraordinaire, http://www.digido.com/ shows the subjective terms we use to describe excess
Updated 05-09-2012 at 02:50 AM by mitchco
If you have followed this series on a quest for proper timbre, I have reached a conclusion. From wikipedia, in psychoacoustics, timbre is also called tone quality and tone color. No question, music source, electronics, interconnects, power, etc., all have impact on timbre. However, the biggest factor on reproducing proper timbre, by orders of magnitude, is the speaker to room interface which is limited by small room acoustics: http://www.gcmstudio.com/acoustics/acoustics.html
Updated 05-09-2012 at 12:57 AM by mitchco
This is Part 4 of a series on a quest to hear music the way it was intended to be reproduced. In the last 3 posts, we have “voiced” and calibrated our speakers to an equilateral triangle, took some frequency response measurements, analyzed the results, and introduced digital room correction (DRC). Let’s look at the frequency response measurement results and DRC in more detail. Is DRC ready for prime time? I think this post will show conclusively, yes, DRC is ready for audiophiles to take full
Updated 05-09-2012 at 12:52 AM by mitchco