• ted_b

    by Published on 09-29-2014 03:23 AM
    1. Categories:
    2. Bits & Bytes


    As I sit here sideways at my keyboard, with my twice-daily ice wrap around my knee, elevated and precarious, I am reminded of my doctor's response when I asked him why this seemingly innocent outpatient knee 'scope is taking so damn long to heal (three and a half months of pt, etc). To paraphrase: "Even though we have been doing these for many years, hundreds of times each per year, the prognosis is always different. Everything matters! Age, location of tear/damage, predilection to fast healing, diet, exercise, etc etc. So, PLEASE, do not read about 3 week recoveries on the Internet and expect that to be the norm. It's not a new science, but it's full of variables. We took a lot of lateral meniscus out, for example."

    Well...this article is not about my knee pain. It's about my music pain! Not really, but it is about one aspect of our own science (hobby) that is filled with many variables, where "everything matters" (note: as much as I like that terse, succinct, accurate, frustrating mantra I have to give credit to our own CA contributor Barrows for truly inventing it as his own).

    So..what am I getting at? Computer audio is far enough along that many new hobbyists expect there to be some standards and feedback that can help reduce the almost infinite variables involved in making a good knowledgeable decision about a new music system based on computer playback. That would seem to be a fair expectation. So why aren't there more "fundamentals" or "dogmas" in computer audio after all this experiential data from many users. Why not? My opinion, alone, is this: few of us can experience removing enough of the largest variables in this hobby to discuss any semblance of "fundamentals", because those variables are

    1)
    our own room;
    2) our own hearing limitations;
    3) our own listening preferences;
    4) our system make-up as a whole (i.e cake recipe vs cake) and finally,
    5) the introduction of a new piece into those first four aspects.

    ...
    by Published on 04-21-2014 09:28 AM
    1. Categories:
    2. Digital to Analog Converter,
    3. USB Interface,
    4. S/PDIF (BNC) Interface,
    5. S/PDIF (TosLink) Interface

    (Computer Audiophile Contributor Ted Brady completes his thorough review of the Chord Qute HD / EX with this final update. I don't think there is anyone in the industry with more insight and time spent with this DAC than Ted. His original review of the HD and two updates can be read HERE. Below is Ted's wrap up with incredibly high praise for the EX. - Editor)

    I have owned the Chord Qute EX (aka EX) now for a couple months (arrived Feb 10) and wanted to wrap up my feelings about this DAC; i.e what is different about it from the HD I reviewed above, and what additional information or impressions I have of the Qute DACs since last writing about them. ...
    by Published on 01-05-2014 03:18 PM
    1. Categories:
    2. Digital to Analog Converter,
    3. USB Interface,
    4. S/PDIF (BNC) Interface,
    5. S/PDIF (TosLink) Interface





    Confessions of a DSD-Aholic, by Ted Brady

    One aspect of being able to have review/demo units on one’s system for review (thank you Chris) is that there comes a time when you need to send them back. And although I’ve demo’d dozens of DACs over the years I’ve never really experienced the angst that a return could bring on. Until now…

    I really miss the Chord QuteHD. There I said it; I was once a strong man of principle, and now reduced to a weak yearner of days gone by. In reality, I borrowed the Chord for WAY too long a period (as some of you who know me understand that this review is like 4 months late ☺) and I thank the NA distributor, Jay and Katherine Rein of Bluebird Music, for their patience…which ultimately I tested for too long of a period. I don’t blame them at all. ☺ But I do miss that thing.

    OK, so why did I have the Chord for so long, and what is it about the thing that I miss? Well, this story ultimately began when I first discovered the DSD format back in September of 2011. ...
    by Published on 08-28-2013 01:44 PM
    1. Categories:
    2. Digital to Analog Converter,
    3. USB Interface,
    4. S/PDIF (RCA) Interface,
    5. S/PDIF (TosLink) Interface,
    6. Preamp,
    7. Headphones
    Article Preview


    exaSound e28 8 Channel DSD DAC: Computer Audio Is Surrounded!
    Argh! A multichannel review? Seriously? Who likes multichannel? And file-based multichannel? Seriously? Who does file-based multichannel? Isn’t surround sound for sci-fi spaceship flyovers and spooky foley effects in horror movies? And you call yourself an audiophile?

    Ok, so I got all that (tongue in cheek) out of the way. Those of you who have embraced computer audio and are content with two-channel soundstages, I implore you to read on. Maybe just one or two (thousand?) of you can discover the incredible potential of the realism and adventure, in the VAST catalog of hirez multichannel music that is becoming available to use, at your listening seat.

    When I first realized the potential of computer audio, when I first heard and experienced both the sonic improvements and the incredible convenience of remote-controlled file-based music playback, I was dreaming of the day when this paradigm would allow me to listen to ALL my music, both 2 channel and multichannel. I have a significant amount of time and energy invested into my multichannel music (not to be confused with movie setup) signal path, and am lucky to have dedicated equipment for both 2 channel and multichannel hirez listening. It’s not necessary to be this OC, but I am. ...
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